The Gibson Continuum: Cyberspace and Gibson's Mervyn Kihn Stories

Bredehoft, Thomas A. "The Gibson Continuum: Cyberspace and Gibson's Mervyn Kihn Stories." SFS 22.2 (July 1995): 252-63.

Bredehoft allies with Gary Westfahl's assertion that Neuromancer relies on Gernsbackian paradigms while still being a futurist text. Cited in Hal Hall's "Approaching Neuromancer: More Secondary Sources." (Maly, 01/07/02)

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Essay opens with Gibson's noting in a 1986 interview his mild surprise at finding in his first computer a drive mechanism: "a little piece of a Victorian engine," similar to the line in the "The Gernsback Continuum," on "the products of futuristic 1930s designers" who would design pencil sharpeners to look "as though they'd been but together in wind tunnels. For the most part, the change was only skindeep: under the streamlined chrome shell, you'd find the same Victorian mechanism. ('Gernsback' 25)" (in Bredehoft, p. 252).