Difference between revisions of "The Gibson Continuum: Cyberspace and Gibson's Mervyn Kihn Stories"
From Clockworks2
Jump to navigationJump to searchLine 1: | Line 1: | ||
− | [[ | + | [[Bredehoft, Thomas A.]] "The Gibson Continuum: Cyberspace and Gibson's Mervyn Kihn Stories." ''SFS'' 22.2 (July 1995): 252-63. |
− | Bredehoft allies with [[Westfahl, Gary|Gary Westfahl]]'s assertion that | + | Bredehoft allies with [[Westfahl, Gary|Gary Westfahl]]'s assertion that ''Neuromancer'' relies on Gernsbackian paradigms while still being a futurist text. Cited in Hal Hall's "[[Approaching Neuromancer: More Secondary Sources]]." (Maly, 01/07/02){{DEFAULTSORT: Gibson Continuum}} |
[[Category:Bredhoft, Thomas A.]] | [[Category:Bredhoft, Thomas A.]] | ||
[[Category:Literary Criticism]] | [[Category:Literary Criticism]] |
Revision as of 22:25, 18 May 2019
Bredehoft, Thomas A. "The Gibson Continuum: Cyberspace and Gibson's Mervyn Kihn Stories." SFS 22.2 (July 1995): 252-63.
Bredehoft allies with Gary Westfahl's assertion that Neuromancer relies on Gernsbackian paradigms while still being a futurist text. Cited in Hal Hall's "Approaching Neuromancer: More Secondary Sources." (Maly, 01/07/02)