Difference between revisions of "The Gernsback Continuum"
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Assigned to photograph 1930s period futuristic American architecture [...], an American photographer begins to enter the worlds of his subject with increasing vividness. [... An]'American Streamlined Moderne', a "kind of alternate America...A 1980 that never happened, an architecture of broken dreams", [...] 'Raygun Gothic', [...] a utopian 'continuum' of flying wings and air cars, multi-lane highways, giant zeppelins and Aryan inhabitants [...]. His US agent [...] attributes this to what he calls 'semiotic ghosts', the remnants of mass culture in the collective unconscious [...]. In references to the architecture of Nazi Germany, the Hitler Youth and period sci-fi like Flash Gordon, Fritz Lang and H. G. Wells, the modernist vistas of the 'golden age' are contextualized in period political visions as the protagonist clings to a familiar and preferred postmodern present. [....][https://en.wikipedia.org/wiki/The_Gernsback_Continuum#Plot_summary] | Assigned to photograph 1930s period futuristic American architecture [...], an American photographer begins to enter the worlds of his subject with increasing vividness. [... An]'American Streamlined Moderne', a "kind of alternate America...A 1980 that never happened, an architecture of broken dreams", [...] 'Raygun Gothic', [...] a utopian 'continuum' of flying wings and air cars, multi-lane highways, giant zeppelins and Aryan inhabitants [...]. His US agent [...] attributes this to what he calls 'semiotic ghosts', the remnants of mass culture in the collective unconscious [...]. In references to the architecture of Nazi Germany, the Hitler Youth and period sci-fi like Flash Gordon, Fritz Lang and H. G. Wells, the modernist vistas of the 'golden age' are contextualized in period political visions as the protagonist clings to a familiar and preferred postmodern present. [....][https://en.wikipedia.org/wiki/The_Gernsback_Continuum#Plot_summary] | ||
| − | Covered briefly in a review | + | Covered briefly in a review of ''Burning Chrome'' in ''Tangent'', possibly by the author of the Wikipedia entry.[https://www.tangentonline.com/classics-reviewed-columnsmenu-165/1125-burning-chrome-by-william-gibson] |
RDE, Initial Compiler, 18May19 | RDE, Initial Compiler, 18May19 | ||
Latest revision as of 00:08, 19 May 2019
IN PROGRESS
Gibson, William. "The Gernsback Continuum." Burning Chrome. New York: Ace, 1987. Pp. 23-35. Reprinted fairly frequently[1], available on line as a pdf, possibly not legally.
From the Wikipedia entry:
Assigned to photograph 1930s period futuristic American architecture [...], an American photographer begins to enter the worlds of his subject with increasing vividness. [... An]'American Streamlined Moderne', a "kind of alternate America...A 1980 that never happened, an architecture of broken dreams", [...] 'Raygun Gothic', [...] a utopian 'continuum' of flying wings and air cars, multi-lane highways, giant zeppelins and Aryan inhabitants [...]. His US agent [...] attributes this to what he calls 'semiotic ghosts', the remnants of mass culture in the collective unconscious [...]. In references to the architecture of Nazi Germany, the Hitler Youth and period sci-fi like Flash Gordon, Fritz Lang and H. G. Wells, the modernist vistas of the 'golden age' are contextualized in period political visions as the protagonist clings to a familiar and preferred postmodern present. [....][2]
Covered briefly in a review of Burning Chrome in Tangent, possibly by the author of the Wikipedia entry.[3]
RDE, Initial Compiler, 18May19
