Difference between revisions of "Technophobia (in THX 1138 et al.)"
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− | '''Ryan, Michael, and Douglas Kellner. "Technophobia."''' From ''Camera Politica: Politics and Ideology of the Contemporary Hollywood Film''. Bloomington, IN: Indiana UP, 1988. Rpt. Alien Zone.[http://www.clockworks2.org/wiki/index.php?title=Alien_Zone:_Cultural_Theory_and_Contemporary_Science_Fiction_Cinema] [[Category: Drama Criticism]] | + | '''Ryan, Michael, and Douglas Kellner. "Technophobia."''' From ''Camera Politica: Politics and Ideology of the Contemporary Hollywood Film''. Bloomington, IN: Indiana UP, 1988. Rpt. ''Alien'' ''Zone''.[http://www.clockworks2.org/wiki/index.php?title=Alien_Zone:_Cultural_Theory_and_Contemporary_Science_Fiction_Cinema] [[Category: Drama Criticism]] |
Conservative technophobia in THX 1138 and LOGAN'S RUN versus more liberal or radical views of machines in BRAINSTORM, SILENT RUNNING, STAR TREK: THE MOTION PICTURE, and, esp., BLADE RUNNER (all listed under Drama). | Conservative technophobia in THX 1138 and LOGAN'S RUN versus more liberal or radical views of machines in BRAINSTORM, SILENT RUNNING, STAR TREK: THE MOTION PICTURE, and, esp., BLADE RUNNER (all listed under Drama). |
Revision as of 20:11, 23 October 2014
Ryan, Michael, and Douglas Kellner. "Technophobia." From Camera Politica: Politics and Ideology of the Contemporary Hollywood Film. Bloomington, IN: Indiana UP, 1988. Rpt. Alien Zone.[1]
Conservative technophobia in THX 1138 and LOGAN'S RUN versus more liberal or radical views of machines in BRAINSTORM, SILENT RUNNING, STAR TREK: THE MOTION PICTURE, and, esp., BLADE RUNNER (all listed under Drama).