Difference between revisions of "Technophilia: Technology, Representation, and the Feminine"
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Doane, Mary Ann. "Technophilia: Technology, Representation, and the Feminine." Anthologized in ''[[Cybersexualities: A Reader on Feminist Theory, Cyborgs and Cyberspace]].'' Jenny Wolmark, ed. Also ''The Gendered Cyborg: A Reader''. London and New York: Routledge, in association with The Open University, 2000. Reviewed Veronica Hollinger, "[[Doing It for Ourselves: Two Feminist Cyber-Readers]]," our source here.[https://www.depauw.edu/sfs/review_essays/holl85.htm] | Doane, Mary Ann. "Technophilia: Technology, Representation, and the Feminine." Anthologized in ''[[Cybersexualities: A Reader on Feminist Theory, Cyborgs and Cyberspace]].'' Jenny Wolmark, ed. Also ''The Gendered Cyborg: A Reader''. London and New York: Routledge, in association with The Open University, 2000. Reviewed Veronica Hollinger, "[[Doing It for Ourselves: Two Feminist Cyber-Readers]]," our source here.[https://www.depauw.edu/sfs/review_essays/holl85.htm] | ||
| − | Examines presentations of women and "the feminine, specifically the maternal feminine, in a range of sf films, from ''[[METROPOLIS | + | Examines presentations of women and "the feminine, specifically the maternal feminine, in a range of sf films, from ''[[METROPOLIS|Metropolis]]'' (1926) to ''[[ALIEN (film)|Alien]]'' (1979) to [[BLADE RUNNER]]|Blade Runner]]'' (1982), demonstrating how these films displace their (masculinist) anxieties about technology onto the maternal body" (Hollinger p. 428). |
Revision as of 20:04, 9 June 2019
Doane, Mary Ann. "Technophilia: Technology, Representation, and the Feminine." Anthologized in Cybersexualities: A Reader on Feminist Theory, Cyborgs and Cyberspace. Jenny Wolmark, ed. Also The Gendered Cyborg: A Reader. London and New York: Routledge, in association with The Open University, 2000. Reviewed Veronica Hollinger, "Doing It for Ourselves: Two Feminist Cyber-Readers," our source here.[1]
Examines presentations of women and "the feminine, specifically the maternal feminine, in a range of sf films, from Metropolis (1926) to Alien (1979) to BLADE RUNNER|Blade Runner]] (1982), demonstrating how these films displace their (masculinist) anxieties about technology onto the maternal body" (Hollinger p. 428).
RDE, completing, 9June19
