Difference between revisions of "Technophilia: Technology, Representation, and the Feminine"
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| − | Doane, Mary Ann. "Technophilia: Technology, Representation, and the Feminine." Anthologized in ''[[Cybersexualities: A Reader on Feminist Theory, Cyborgs and Cyberspace]].'' Jenny Wolmark, ed. Also ''The Gendered Cyborg: A Reader''. London and New York: Routledge, in association with The Open University, 2000. Reviewed Veronica Hollinger, "[[Doing It for Ourselves: Two Feminist Cyber-Readers]]," our source here.[https://www.depauw.edu/sfs/review_essays/holl85.htm] | + | '''Doane, Mary Ann. "Technophilia: Technology, Representation, and the Feminine."''' 1990. Anthologized in ''[[Cybersexualities: A Reader on Feminist Theory, Cyborgs and Cyberspace]].'' Jenny Wolmark, ed. Also ''The Gendered Cyborg: A Reader''. London and New York: Routledge, in association with The Open University, 2000. Reviewed Veronica Hollinger, "[[Doing It for Ourselves: Two Feminist Cyber-Readers]]," our source here.[https://www.depauw.edu/sfs/review_essays/holl85.htm] |
| − | Examines presentations of women and "the feminine, specifically the maternal feminine, in a range of sf films, from ''[[METROPOLIS | + | |
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| + | Examines presentations of women and "the feminine, specifically the maternal feminine, in a range of sf films, from ''[[METROPOLIS|Metropolis]]'' (1926) to ''[[ALIEN (film)|Alien]]'' (1979) to ''[[BLADE RUNNER|Blade Runner]]'' (1982), demonstrating how these films displace their (masculinist) anxieties about technology onto the maternal body" (Hollinger p. 428). | ||
Latest revision as of 20:09, 9 June 2019
Doane, Mary Ann. "Technophilia: Technology, Representation, and the Feminine." 1990. Anthologized in Cybersexualities: A Reader on Feminist Theory, Cyborgs and Cyberspace. Jenny Wolmark, ed. Also The Gendered Cyborg: A Reader. London and New York: Routledge, in association with The Open University, 2000. Reviewed Veronica Hollinger, "Doing It for Ourselves: Two Feminist Cyber-Readers," our source here.[1]
Examines presentations of women and "the feminine, specifically the maternal feminine, in a range of sf films, from Metropolis (1926) to Alien (1979) to Blade Runner (1982), demonstrating how these films displace their (masculinist) anxieties about technology onto the maternal body" (Hollinger p. 428).
RDE, completing, 9June19
