https://clockworks2.org/wiki/index.php?title=THINGS_TO_COME&feed=atom&action=history THINGS TO COME - Revision history 2024-03-29T15:55:40Z Revision history for this page on the wiki MediaWiki 1.32.1 https://clockworks2.org/wiki/index.php?title=THINGS_TO_COME&diff=18894&oldid=prev Erlichrd at 02:09, 27 May 2023 2023-05-27T02:09:14Z <p></p> <table class="diff diff-contentalign-left" data-mw="interface"> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="en"> <td colspan="2" style="background-color: #fff; color: #222; text-align: center;">←Older revision</td> <td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revision as of 02:09, 27 May 2023</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l3" >Line 3:</td> <td colspan="2" class="diff-lineno">Line 3:</td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div> Positive presentation of technocratic takeover after a horrible war. Final portion includes a visual celebration of machines of the future. Discussed by W. Warren Wagar in &quot;[[The Steel-Gray Saviour: Technocracy as Utopia and Ideology|The Steel-Gray Saviour]],&quot; q.v. under Literary Criticism. Also, on Wells's novel, W. Warren Wagar, &quot;H. G. Wells and the Radicalism of Despair,&quot; ''Studies in the Literary Imagination'' 6.2 (Fall 1973): 8 (Aspects of Utopian Fiction issue).</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div> Positive presentation of technocratic takeover after a horrible war. Final portion includes a visual celebration of machines of the future. Discussed by W. Warren Wagar in &quot;[[The Steel-Gray Saviour: Technocracy as Utopia and Ideology|The Steel-Gray Saviour]],&quot; q.v. under Literary Criticism. Also, on Wells's novel, W. Warren Wagar, &quot;H. G. Wells and the Radicalism of Despair,&quot; ''Studies in the Literary Imagination'' 6.2 (Fall 1973): 8 (Aspects of Utopian Fiction issue).</div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">For discussion and illustration of the architecture, see ''[[Film Architecture: From METROPOLIS to BLADE RUNNER]]'' pp. 118-21.</ins></div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>RDE, initial; finishing, 23Mar22</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>RDE, initial; finishing, 23Mar22</div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Category: Drama]]</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Category: Drama]]</div></td></tr> </table> Erlichrd https://clockworks2.org/wiki/index.php?title=THINGS_TO_COME&diff=18029&oldid=prev Erlichrd at 02:56, 17 January 2023 2023-01-17T02:56:19Z <p></p> <table class="diff diff-contentalign-left" data-mw="interface"> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="en"> <td colspan="2" style="background-color: #fff; color: #222; text-align: center;">←Older revision</td> <td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revision as of 02:56, 17 January 2023</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l1" >Line 1:</td> <td colspan="2" class="diff-lineno">Line 1:</td></tr> <tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>'''THINGS TO COME. William Cameron Menzies, dir'''. UK: London Films (prod.) / United Artists (US release), 1936. '''H. G. Wells, script''', from his ''<del class="diffchange diffchange-inline">[[</del>The Shape of Things to Come<del class="diffchange diffchange-inline">]]</del>'' (preproduction working title for the film). Alexander Korda, prod. [[Category: Drama]]</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>'''THINGS TO COME. William Cameron Menzies, dir'''. UK: London Films (prod.) / United Artists (US release), 1936. '''H. G. Wells, script''', from his ''The Shape of Things to Come'' (preproduction working title for the film). Alexander Korda, prod. [[Category: Drama]]</div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div> Positive presentation of technocratic takeover after a horrible war. Final portion includes a visual celebration of machines of the future. Discussed by W. Warren Wagar in &quot;[[The Steel-Gray Saviour: Technocracy as Utopia and Ideology|The Steel-Gray Saviour]],&quot; q.v. under Literary Criticism. Also, on Wells's novel, W. Warren Wagar, &quot;H. G. Wells and the Radicalism of Despair,&quot; ''Studies in the Literary Imagination'' 6.2 (Fall 1973): 8 (Aspects of Utopian Fiction issue).</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div> Positive presentation of technocratic takeover after a horrible war. Final portion includes a visual celebration of machines of the future. Discussed by W. Warren Wagar in &quot;[[The Steel-Gray Saviour: Technocracy as Utopia and Ideology|The Steel-Gray Saviour]],&quot; q.v. under Literary Criticism. Also, on Wells's novel, W. Warren Wagar, &quot;H. G. Wells and the Radicalism of Despair,&quot; ''Studies in the Literary Imagination'' 6.2 (Fall 1973): 8 (Aspects of Utopian Fiction issue).</div></td></tr> </table> Erlichrd https://clockworks2.org/wiki/index.php?title=THINGS_TO_COME&diff=18028&oldid=prev Erlichrd at 02:55, 17 January 2023 2023-01-17T02:55:09Z <p></p> <table class="diff diff-contentalign-left" data-mw="interface"> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="en"> <td colspan="2" style="background-color: #fff; color: #222; text-align: center;">←Older revision</td> <td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revision as of 02:55, 17 January 2023</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l1" >Line 1:</td> <td colspan="2" class="diff-lineno">Line 1:</td></tr> <tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>'''THINGS TO COME. William Cameron Menzies, dir'''. UK: London Films (prod.) / United Artists (US release), 1936. '''H. G. Wells, script''', from his ''The Shape of Things to Come'' (preproduction working title for the film). Alexander Korda, prod. [[Category: Drama]]</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>'''THINGS TO COME. William Cameron Menzies, dir'''. UK: London Films (prod.) / United Artists (US release), 1936. '''H. G. Wells, script''', from his ''<ins class="diffchange diffchange-inline">[[</ins>The Shape of Things to Come<ins class="diffchange diffchange-inline">]]</ins>'' (preproduction working title for the film). Alexander Korda, prod. [[Category: Drama]]</div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div> Positive presentation of technocratic takeover after a horrible war. Final portion includes a visual celebration of machines of the future. Discussed by W. Warren Wagar in &quot;[[The Steel-Gray Saviour: Technocracy as Utopia and Ideology|The Steel-Gray Saviour]],&quot; q.v. under Literary Criticism. Also, on Wells's novel, W. Warren Wagar, &quot;H. G. Wells and the Radicalism of Despair,&quot; ''Studies in the Literary Imagination'' 6.2 (Fall 1973): 8 (Aspects of Utopian Fiction issue).</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div> Positive presentation of technocratic takeover after a horrible war. Final portion includes a visual celebration of machines of the future. Discussed by W. Warren Wagar in &quot;[[The Steel-Gray Saviour: Technocracy as Utopia and Ideology|The Steel-Gray Saviour]],&quot; q.v. under Literary Criticism. Also, on Wells's novel, W. Warren Wagar, &quot;H. G. Wells and the Radicalism of Despair,&quot; ''Studies in the Literary Imagination'' 6.2 (Fall 1973): 8 (Aspects of Utopian Fiction issue).</div></td></tr> </table> Erlichrd https://clockworks2.org/wiki/index.php?title=THINGS_TO_COME&diff=16922&oldid=prev Erlichrd at 05:20, 24 March 2022 2022-03-24T05:20:54Z <p></p> <table class="diff diff-contentalign-left" data-mw="interface"> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="en"> <td colspan="2" style="background-color: #fff; color: #222; text-align: center;">←Older revision</td> <td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revision as of 05:20, 24 March 2022</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l1" >Line 1:</td> <td colspan="2" class="diff-lineno">Line 1:</td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>'''THINGS TO COME. William Cameron Menzies, dir'''. UK: London Films (prod.) / United Artists (US release), 1936. '''H. G. Wells, script''', from his ''The Shape of Things to Come'' (preproduction working title for the film). Alexander Korda, prod. [[Category: Drama]]</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>'''THINGS TO COME. William Cameron Menzies, dir'''. UK: London Films (prod.) / United Artists (US release), 1936. '''H. G. Wells, script''', from his ''The Shape of Things to Come'' (preproduction working title for the film). Alexander Korda, prod. [[Category: Drama]]</div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div> Positive presentation of technocratic takeover after a horrible war. Final portion includes a visual celebration of machines of the future. Discussed by W. Warren Wagar in &quot;[[The Steel-Gray Saviour: Technocracy as Utopia and Ideology|The Steel-Gray Saviour]],&quot; q.v.under Literary Criticism.[[Category: Drama]]</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div> Positive presentation of technocratic takeover after a horrible war. Final portion includes a visual celebration of machines of the future. Discussed by W. Warren Wagar in &quot;[[The Steel-Gray Saviour: Technocracy as Utopia and Ideology|The Steel-Gray Saviour]],&quot; q.v. under Literary Criticism. <ins class="diffchange diffchange-inline">Also, on Wells's novel, W. Warren Wagar, &quot;H. G. Wells and the Radicalism of Despair,&quot; ''Studies in the Literary Imagination'' 6.2 (Fall 1973): 8 (Aspects of Utopian Fiction issue).</ins></div></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div> </div></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div> </div></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">RDE, initial; finishing, 23Mar22</ins></div></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>[[Category: Drama]]</div></td></tr> </table> Erlichrd https://clockworks2.org/wiki/index.php?title=THINGS_TO_COME&diff=12866&oldid=prev Erlichrd at 06:42, 16 December 2020 2020-12-16T06:42:47Z <p></p> <table class="diff diff-contentalign-left" data-mw="interface"> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="en"> <td colspan="2" style="background-color: #fff; color: #222; text-align: center;">←Older revision</td> <td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revision as of 06:42, 16 December 2020</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l1" >Line 1:</td> <td colspan="2" class="diff-lineno">Line 1:</td></tr> <tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>'''THINGS TO COME. William Cameron Menzies, dir'''. UK: London Films (prod.) / United Artists (US release), 1936. '''H. G. Wells, <del class="diffchange diffchange-inline">scrip't</del>''', from his ''The Shape of Things to Come'' (preproduction working title for the film). Alexander Korda, prod. [[Category: Drama]]</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>'''THINGS TO COME. William Cameron Menzies, dir'''. UK: London Films (prod.) / United Artists (US release), 1936. '''H. G. Wells, <ins class="diffchange diffchange-inline">script</ins>''', from his ''The Shape of Things to Come'' (preproduction working title for the film). Alexander Korda, prod. [[Category: Drama]]</div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div> Positive presentation of technocratic takeover after a horrible war. Final portion includes a visual celebration of machines of the future. Discussed by W. Warren Wagar in &quot;[[The Steel-Gray Saviour: Technocracy as Utopia and Ideology|The Steel-Gray Saviour]],&quot; q.v.under Literary Criticism.[[Category: Drama]]</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div> Positive presentation of technocratic takeover after a horrible war. Final portion includes a visual celebration of machines of the future. Discussed by W. Warren Wagar in &quot;[[The Steel-Gray Saviour: Technocracy as Utopia and Ideology|The Steel-Gray Saviour]],&quot; q.v.under Literary Criticism.[[Category: Drama]]</div></td></tr> </table> Erlichrd https://clockworks2.org/wiki/index.php?title=THINGS_TO_COME&diff=12097&oldid=prev Erlichrd at 17:39, 30 April 2020 2020-04-30T17:39:57Z <p></p> <table class="diff diff-contentalign-left" data-mw="interface"> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="en"> <td colspan="2" style="background-color: #fff; color: #222; text-align: center;">←Older revision</td> <td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revision as of 17:39, 30 April 2020</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l1" >Line 1:</td> <td colspan="2" class="diff-lineno">Line 1:</td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>'''THINGS TO COME. William Cameron Menzies, dir'''. UK: London Films (prod.) / United Artists (US release), 1936. '''H. G. Wells, scrip't''', from his ''The Shape of Things to Come'' (preproduction working title for the film). Alexander Korda, prod. [[Category: Drama]]</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>'''THINGS TO COME. William Cameron Menzies, dir'''. UK: London Films (prod.) / United Artists (US release), 1936. '''H. G. Wells, scrip't''', from his ''The Shape of Things to Come'' (preproduction working title for the film). Alexander Korda, prod. [[Category: Drama]]</div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div> Positive presentation of technocratic takeover after a horrible war. Final portion includes a visual celebration of machines of the future. Discussed by W. Warren Wagar in &quot;[[The Steel-Gray Saviour]],&quot; q.v.under Literary Criticism.[[Category: Drama]]</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div> Positive presentation of technocratic takeover after a horrible war. Final portion includes a visual celebration of machines of the future. Discussed by W. Warren Wagar in &quot;[[<ins class="diffchange diffchange-inline">The Steel-Gray Saviour: Technocracy as Utopia and Ideology|</ins>The Steel-Gray Saviour]],&quot; q.v.under Literary Criticism.[[Category: Drama]]</div></td></tr> </table> Erlichrd https://clockworks2.org/wiki/index.php?title=THINGS_TO_COME&diff=12094&oldid=prev Erlichrd at 17:38, 30 April 2020 2020-04-30T17:38:00Z <p></p> <table class="diff diff-contentalign-left" data-mw="interface"> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="en"> <td colspan="2" style="background-color: #fff; color: #222; text-align: center;">←Older revision</td> <td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revision as of 17:38, 30 April 2020</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l1" >Line 1:</td> <td colspan="2" class="diff-lineno">Line 1:</td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>'''THINGS TO COME. William Cameron Menzies, dir'''. UK: London Films (prod.) / United Artists (US release), 1936. '''H. G. Wells, scrip't''', from his ''The Shape of Things to Come'' (preproduction working title for the film). Alexander Korda, prod. [[Category: Drama]]</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>'''THINGS TO COME. William Cameron Menzies, dir'''. UK: London Films (prod.) / United Artists (US release), 1936. '''H. G. Wells, scrip't''', from his ''The Shape of Things to Come'' (preproduction working title for the film). Alexander Korda, prod. [[Category: Drama]]</div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div> Positive presentation of technocratic takeover after a horrible war. Final portion includes a visual celebration of machines of the future. Discussed by W. Warren Wagar in &quot;Steel-Gray Saviour,&quot; q.v.under Literary Criticism.[[Category: Drama]]</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div> Positive presentation of technocratic takeover after a horrible war. Final portion includes a visual celebration of machines of the future. Discussed by W. Warren Wagar in &quot;<ins class="diffchange diffchange-inline">[[The </ins>Steel-Gray Saviour<ins class="diffchange diffchange-inline">]]</ins>,&quot; q.v.under Literary Criticism.[[Category: Drama]]</div></td></tr> </table> Erlichrd https://clockworks2.org/wiki/index.php?title=THINGS_TO_COME&diff=4664&oldid=prev Erlichrd: Created page with "'''THINGS TO COME. William Cameron Menzies, dir'''. UK: London Films (prod.) / United Artists (US release), 1936. '''H. G. Wells, scrip't''', from his ''The Shape of Things to..." 2014-10-19T21:34:57Z <p>Created page with &quot;&#039;&#039;&#039;THINGS TO COME. William Cameron Menzies, dir&#039;&#039;&#039;. UK: London Films (prod.) / United Artists (US release), 1936. &#039;&#039;&#039;H. G. Wells, scrip&#039;t&#039;&#039;&#039;, from his &#039;&#039;The Shape of Things to...&quot;</p> <p><b>New page</b></p><div>'''THINGS TO COME. William Cameron Menzies, dir'''. UK: London Films (prod.) / United Artists (US release), 1936. '''H. G. Wells, scrip't''', from his ''The Shape of Things to Come'' (preproduction working title for the film). Alexander Korda, prod. [[Category: Drama]]<br /> <br /> Positive presentation of technocratic takeover after a horrible war. Final portion includes a visual celebration of machines of the future. Discussed by W. Warren Wagar in &quot;Steel-Gray Saviour,&quot; q.v.under Literary Criticism.[[Category: Drama]]</div> Erlichrd