Difference between revisions of "Star Trek: Discovery"
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− | The series begins around ten years before the events of ''[[Star Trek]]'': The Original Series, when Commander Michael Burnham's actions start a war between the United Federation of Planets and the Klingon Empire. She is court-martialed, stripped of rank, and reassigned to the ''USS Discovery'', which has a unique means of propulsion called the "Spore Drive". After an adventure in the Mirror Universe, ''Discovery'' helps end the Klingon war. In the second season they investigate seven mysterious signals and a strange figure known as the "Red Angel", and fight off a rogue artificial intelligence. This conflict ends with the Discovery traveling to the 32nd century, more than 900 years into their future.[https://en.wikipedia.org/wiki/Star_Trek:_Discovery] | + | The series begins around ten years before the events of ''[[Star Trek]]'': The Original Series, when Commander Michael Burnham's actions start a war between the United Federation of Planets and the Klingon Empire. She is court-martialed, stripped of rank, and reassigned to the ''USS Discovery'', which has a unique means of propulsion called the "Spore Drive". After an adventure in the Mirror Universe, ''Discovery'' helps end the Klingon war. In the second season they investigate seven mysterious signals and a strange figure known as the "Red Angel", and fight off a rogue artificial intelligence. This conflict ends with the ''Discovery'' traveling to the 32nd century, more than 900 years into their future.[https://en.wikipedia.org/wiki/Star_Trek:_Discovery] |
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Generally significant for introducing a tension between interpretations of intentions and actions in terms of the agents' culture or race/species — and gender, with the Klingon forces gendered male, the Federation's more female (though gender-balanced in ways complicated nicely by species). Of interest here for the mise en scène: Star-Trekian smooth and Modern(ist) vs. Klingon complex and convoluted, with Klingon spaces and costuming suggesting the Baroque plus indigenous MesoAmerican-Imperial. Note also the juxtaposing of an ornate, heavy-metal Klingon casket and the burial at space of a male-gendered leader with the female lead on the Federation side on a high-tech gurney in a curative space in sickbay; and cf. and contrast ''that'' with a child-version of the character in a Vulcan learning-chamber, quizzed by a computer. | Generally significant for introducing a tension between interpretations of intentions and actions in terms of the agents' culture or race/species — and gender, with the Klingon forces gendered male, the Federation's more female (though gender-balanced in ways complicated nicely by species). Of interest here for the mise en scène: Star-Trekian smooth and Modern(ist) vs. Klingon complex and convoluted, with Klingon spaces and costuming suggesting the Baroque plus indigenous MesoAmerican-Imperial. Note also the juxtaposing of an ornate, heavy-metal Klingon casket and the burial at space of a male-gendered leader with the female lead on the Federation side on a high-tech gurney in a curative space in sickbay; and cf. and contrast ''that'' with a child-version of the character in a Vulcan learning-chamber, quizzed by a computer. | ||
− | + | Season 2, Episode 9, "Project Daedalus," 14 March 2019 | |
+ | See for "Starfleet's Control artificial intelligence" and Control in a take-over attempt,[https://en.wikipedia.org/wiki/Star_Trek:_Discovery_(season_2)] atypical for Federation AI, though reversed in the third season (see below).[https://www.denofgeek.com/web-stories/star-trek-discovery-artificial-intelligence/] | ||
Revision as of 22:44, 18 March 2023
WORKING
Star Trek: Discovery (TV series). Bryan Fuller and Alex Kurtzman, creators. Based on Star Trek by Gene Roddenberry, #7 in the Star Trek series of series. USA (and Canada): Secret Hideout, Roddenberry Entertainment, Living Dead Guy Productions, CBS Studios (Production) / CBS, CBS All Access, Paramount+ (networks), 2017 f., 4 seasons as of March 2023; one more season announced.[1] Running time: 37-65 minutes.[2]
Premise (Wikipedia) <block quote> The series begins around ten years before the events of Star Trek: The Original Series, when Commander Michael Burnham's actions start a war between the United Federation of Planets and the Klingon Empire. She is court-martialed, stripped of rank, and reassigned to the USS Discovery, which has a unique means of propulsion called the "Spore Drive". After an adventure in the Mirror Universe, Discovery helps end the Klingon war. In the second season they investigate seven mysterious signals and a strange figure known as the "Red Angel", and fight off a rogue artificial intelligence. This conflict ends with the Discovery traveling to the 32nd century, more than 900 years into their future.[3]
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Some Episodes of Interest for Users of this Wiki
Season 1, Episode 1, "The Vulcan Hello," 24 Sept. 2017
Generally significant for introducing a tension between interpretations of intentions and actions in terms of the agents' culture or race/species — and gender, with the Klingon forces gendered male, the Federation's more female (though gender-balanced in ways complicated nicely by species). Of interest here for the mise en scène: Star-Trekian smooth and Modern(ist) vs. Klingon complex and convoluted, with Klingon spaces and costuming suggesting the Baroque plus indigenous MesoAmerican-Imperial. Note also the juxtaposing of an ornate, heavy-metal Klingon casket and the burial at space of a male-gendered leader with the female lead on the Federation side on a high-tech gurney in a curative space in sickbay; and cf. and contrast that with a child-version of the character in a Vulcan learning-chamber, quizzed by a computer.
Season 2, Episode 9, "Project Daedalus," 14 March 2019
See for "Starfleet's Control artificial intelligence" and Control in a take-over attempt,[4] atypical for Federation AI, though reversed in the third season (see below).[5]
RDE, finishing, 18Mar23 f.