https://clockworks2.org/wiki/index.php?title=No_Woman_Born&feed=atom&action=history No Woman Born - Revision history 2024-03-28T22:11:58Z Revision history for this page on the wiki MediaWiki 1.32.1 https://clockworks2.org/wiki/index.php?title=No_Woman_Born&diff=18943&oldid=prev Erlichrd at 01:29, 5 June 2023 2023-06-05T01:29:37Z <p></p> <table class="diff diff-contentalign-left" data-mw="interface"> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="en"> <td colspan="2" style="background-color: #fff; color: #222; text-align: center;">←Older revision</td> <td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revision as of 01:29, 5 June 2023</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l1" >Line 1:</td> <td colspan="2" class="diff-lineno">Line 1:</td></tr> <tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>'''Moore, C. L. &quot;No Woman Born.&quot;''' ''Astounding'' Dec. 1944. Coll. ''The Best of C. L. Moore.'' Lester del Rey, ed. Garden City, NY: Doubleday, 1975. New York: Ballantine, &quot;A Del Rey Book&quot; (Afterword by CLM), 1976. Rpt. ''Human Machines'' (q.v. under Anthologies). ''Science Fiction: The Science Fiction Research Association Anthology''. Patricia S. Warrick et al., eds. New York: Harper, 1988. <del class="diffchange diffchange-inline">[[Category: Fiction]]</del></div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>'''Moore, C. L. &quot;No Woman Born.&quot;''' ''Astounding'' Dec. 1944. Coll. ''The Best of C. L. Moore.'' Lester del Rey, ed. Garden City, NY: Doubleday, 1975. New York: Ballantine, &quot;A Del Rey Book&quot; (Afterword by CLM), 1976. Rpt. ''<ins class="diffchange diffchange-inline">[[</ins>Human<ins class="diffchange diffchange-inline">-</ins>Machines<ins class="diffchange diffchange-inline">: An Anthology of Stories About Cyborgs|Human Machines]]</ins>'' (q.v. <ins class="diffchange diffchange-inline">at link or </ins>under Anthologies). ''Science Fiction: The Science Fiction Research Association Anthology''. Patricia S. Warrick et al., eds. New York: Harper, 1988.</div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div> A great entertainer's personality and talents are transferred into a mechanical body so they will not be lost with her death. Embodiment in the mechanism will affect that personality and talents (contrast numerous narratives, where uploading, downloading, and/or transferring to different bodies, or cyberspace, isn't problematic).</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div> A great entertainer's personality and talents are transferred into a mechanical body so they will not be lost with her death. Embodiment in the mechanism will affect that personality and talents (contrast numerous narratives, where uploading, downloading, and/or transferring to different bodies, or cyberspace, isn't problematic).</div></td></tr> <tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l7" >Line 7:</td> <td colspan="2" class="diff-lineno">Line 7:</td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Discussed with great insight in Thomas L. Wymer's “[[Feminism, Technology, and Art in C. L. Moore’s “No Woman Born”|Feminism, Technology, and Art in C. L. Moore’s 'No Woman Born']].” ‘’Extrapolation’’ 47.1 (Spring 2006): 51-65.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Discussed with great insight in Thomas L. Wymer's “[[Feminism, Technology, and Art in C. L. Moore’s “No Woman Born”|Feminism, Technology, and Art in C. L. Moore’s 'No Woman Born']].” ‘’Extrapolation’’ 47.1 (Spring 2006): 51-65.</div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">+++++++++++++++++++</ins></div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">Reprinted also in ''[[Reload: Rethinking Women + Cyberculture]]'', an instructive context in which to consider it.</ins></div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Expanded by RDE, 10May19, 12May21</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div> </div></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div> </div></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Expanded by RDE, 10May19, 12May21<ins class="diffchange diffchange-inline">; 4Jun23</ins></div></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">[[Category: Fiction]]</ins></div></td></tr> </table> Erlichrd https://clockworks2.org/wiki/index.php?title=No_Woman_Born&diff=14972&oldid=prev Erlichrd at 01:52, 13 May 2021 2021-05-13T01:52:51Z <p></p> <table class="diff diff-contentalign-left" data-mw="interface"> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="en"> <td colspan="2" style="background-color: #fff; color: #222; text-align: center;">←Older revision</td> <td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revision as of 01:52, 13 May 2021</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l3" >Line 3:</td> <td colspan="2" class="diff-lineno">Line 3:</td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div> A great entertainer's personality and talents are transferred into a mechanical body so they will not be lost with her death. Embodiment in the mechanism will affect that personality and talents (contrast numerous narratives, where uploading, downloading, and/or transferring to different bodies, or cyberspace, isn't problematic).</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div> A great entertainer's personality and talents are transferred into a mechanical body so they will not be lost with her death. Embodiment in the mechanism will affect that personality and talents (contrast numerous narratives, where uploading, downloading, and/or transferring to different bodies, or cyberspace, isn't problematic).</div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>See under Literary Criticism the ''TMG'' essays by A. Gordon and A. H. Jones.[[http://www.clockworks2.org/wiki/index.php?title=Mechanical_God,_The:_Machines_in_Science_Fiction]]</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>See under Literary Criticism the ''TMG'' essays by A. Gordon and A. H. Jones.[[http://www.clockworks2.org/wiki/index.php?title=Mechanical_God,_The:_Machines_in_Science_Fiction]] <ins class="diffchange diffchange-inline">Cf. and contrast &quot;[[Masks]].&quot;</ins></div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Discussed with great insight in Thomas L. Wymer's “[[Feminism, Technology, and Art in C. L. Moore’s “No Woman Born”|Feminism, Technology, and Art in C. L. Moore’s 'No Woman Born']].” ‘’Extrapolation’’ 47.1 (Spring 2006): 51-65.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Discussed with great insight in Thomas L. Wymer's “[[Feminism, Technology, and Art in C. L. Moore’s “No Woman Born”|Feminism, Technology, and Art in C. L. Moore’s 'No Woman Born']].” ‘’Extrapolation’’ 47.1 (Spring 2006): 51-65.</div></td></tr> </table> Erlichrd https://clockworks2.org/wiki/index.php?title=No_Woman_Born&diff=14971&oldid=prev Erlichrd at 01:50, 13 May 2021 2021-05-13T01:50:22Z <p></p> <table class="diff diff-contentalign-left" data-mw="interface"> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="en"> <td colspan="2" style="background-color: #fff; color: #222; text-align: center;">←Older revision</td> <td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revision as of 01:50, 13 May 2021</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l1" >Line 1:</td> <td colspan="2" class="diff-lineno">Line 1:</td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>'''Moore, C. L. &quot;No Woman Born.&quot;''' ''Astounding'' Dec. 1944. Coll. ''The Best of C. L. Moore.'' Lester del Rey, ed. Garden City, NY: Doubleday, 1975. New York: Ballantine, &quot;A Del Rey Book&quot; (Afterword by CLM), 1976. Rpt. ''Human Machines'' (q.v. under Anthologies). ''Science Fiction: The Science Fiction Research Association Anthology''. Patricia S. Warrick et al., eds. New York: Harper, 1988. [[Category: Fiction]]</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>'''Moore, C. L. &quot;No Woman Born.&quot;''' ''Astounding'' Dec. 1944. Coll. ''The Best of C. L. Moore.'' Lester del Rey, ed. Garden City, NY: Doubleday, 1975. New York: Ballantine, &quot;A Del Rey Book&quot; (Afterword by CLM), 1976. Rpt. ''Human Machines'' (q.v. under Anthologies). ''Science Fiction: The Science Fiction Research Association Anthology''. Patricia S. Warrick et al., eds. New York: Harper, 1988. [[Category: Fiction]]</div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div> A great entertainer's personality and talents are transferred into a mechanical body so they will not be lost with her death. See under Literary Criticism the ''TMG'' essays by A. Gordon and A. H. Jones.[[http://www.clockworks2.org/wiki/index.php?title=Mechanical_God,_The:_Machines_in_Science_Fiction]]</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div> A great entertainer's personality and talents are transferred into a mechanical body so they will not be lost with her death. <ins class="diffchange diffchange-inline">Embodiment in the mechanism will affect that personality and talents (contrast numerous narratives, where uploading, downloading, and/or transferring to different bodies, or cyberspace, isn't problematic).</ins></div></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div> </div></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>See under Literary Criticism the ''TMG'' essays by A. Gordon and A. H. Jones.[[http://www.clockworks2.org/wiki/index.php?title=Mechanical_God,_The:_Machines_in_Science_Fiction]]</div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Discussed with great insight in Thomas L. Wymer's “[[Feminism, Technology, and Art in C. L. Moore’s “No Woman Born”|Feminism, Technology, and Art in C. L. Moore’s 'No Woman Born']].” ‘’Extrapolation’’ 47.1 (Spring 2006): 51-65.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Discussed with great insight in Thomas L. Wymer's “[[Feminism, Technology, and Art in C. L. Moore’s “No Woman Born”|Feminism, Technology, and Art in C. L. Moore’s 'No Woman Born']].” ‘’Extrapolation’’ 47.1 (Spring 2006): 51-65.</div></td></tr> <tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l7" >Line 7:</td> <td colspan="2" class="diff-lineno">Line 9:</td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Expanded by RDE, 10May19</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Expanded by RDE, 10May19<ins class="diffchange diffchange-inline">, 12May21</ins></div></td></tr> </table> Erlichrd https://clockworks2.org/wiki/index.php?title=No_Woman_Born&diff=9448&oldid=prev Erlichrd at 20:52, 10 May 2019 2019-05-10T20:52:15Z <p></p> <table class="diff diff-contentalign-left" data-mw="interface"> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="en"> <td colspan="2" style="background-color: #fff; color: #222; text-align: center;">←Older revision</td> <td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revision as of 20:52, 10 May 2019</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l4" >Line 4:</td> <td colspan="2" class="diff-lineno">Line 4:</td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Discussed with great insight in Thomas L. Wymer's “[[Feminism, Technology, and Art in C. L. Moore’s “No Woman Born”|Feminism, Technology, and Art in C. L. Moore’s 'No Woman Born']].” ‘’Extrapolation’’ 47.1 (Spring 2006): 51-65.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Discussed with great insight in Thomas L. Wymer's “[[Feminism, Technology, and Art in C. L. Moore’s “No Woman Born”|Feminism, Technology, and Art in C. L. Moore’s 'No Woman Born']].” ‘’Extrapolation’’ 47.1 (Spring 2006): 51-65.</div></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">Expanded by RDE, 10May19</ins></div></td></tr> </table> Erlichrd https://clockworks2.org/wiki/index.php?title=No_Woman_Born&diff=9447&oldid=prev Erlichrd at 20:46, 10 May 2019 2019-05-10T20:46:03Z <p></p> <table class="diff diff-contentalign-left" data-mw="interface"> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="en"> <td colspan="2" style="background-color: #fff; color: #222; text-align: center;">←Older revision</td> <td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revision as of 20:46, 10 May 2019</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l3" >Line 3:</td> <td colspan="2" class="diff-lineno">Line 3:</td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div> A great entertainer's personality and talents are transferred into a mechanical body so they will not be lost with her death. See under Literary Criticism the ''TMG'' essays by A. Gordon and A. H. Jones.[[http://www.clockworks2.org/wiki/index.php?title=Mechanical_God,_The:_Machines_in_Science_Fiction]]</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div> A great entertainer's personality and talents are transferred into a mechanical body so they will not be lost with her death. See under Literary Criticism the ''TMG'' essays by A. Gordon and A. H. Jones.[[http://www.clockworks2.org/wiki/index.php?title=Mechanical_God,_The:_Machines_in_Science_Fiction]]</div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Discussed with great insight in Thomas L. Wymer's “[[Feminism, Technology, and Art in C. L. Moore’s “No Woman Born”]].” ‘’Extrapolation’’ 47.1 (Spring 2006): 51-65.</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Discussed with great insight in Thomas L. Wymer's “[[Feminism, Technology, and Art in C. L. Moore’s “No Woman Born”<ins class="diffchange diffchange-inline">|Feminism, Technology, and Art in C. L. Moore’s 'No Woman Born'</ins>]].” ‘’Extrapolation’’ 47.1 (Spring 2006): 51-65.</div></td></tr> </table> Erlichrd https://clockworks2.org/wiki/index.php?title=No_Woman_Born&diff=9446&oldid=prev Erlichrd at 20:45, 10 May 2019 2019-05-10T20:45:06Z <p></p> <table class="diff diff-contentalign-left" data-mw="interface"> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="en"> <td colspan="2" style="background-color: #fff; color: #222; text-align: center;">←Older revision</td> <td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revision as of 20:45, 10 May 2019</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l3" >Line 3:</td> <td colspan="2" class="diff-lineno">Line 3:</td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div> A great entertainer's personality and talents are transferred into a mechanical body so they will not be lost with her death. See under Literary Criticism the ''TMG'' essays by A. Gordon and A. H. Jones.[[http://www.clockworks2.org/wiki/index.php?title=Mechanical_God,_The:_Machines_in_Science_Fiction]]</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div> A great entertainer's personality and talents are transferred into a mechanical body so they will not be lost with her death. See under Literary Criticism the ''TMG'' essays by A. Gordon and A. H. Jones.[[http://www.clockworks2.org/wiki/index.php?title=Mechanical_God,_The:_Machines_in_Science_Fiction]]</div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Discussed with great insight in Thomas L. Wymer's “[[Feminism, Technology, and Art in C. L. Moore’s <del class="diffchange diffchange-inline">’No </del>Woman <del class="diffchange diffchange-inline">Born'</del>]].” ‘’Extrapolation’’ 47.1 (Spring 2006): 51-65.</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Discussed with great insight in Thomas L. Wymer's “[[Feminism, Technology, and Art in C. L. Moore’s <ins class="diffchange diffchange-inline">“No </ins>Woman <ins class="diffchange diffchange-inline">Born”</ins>]].” ‘’Extrapolation’’ 47.1 (Spring 2006): 51-65.</div></td></tr> </table> Erlichrd https://clockworks2.org/wiki/index.php?title=No_Woman_Born&diff=9445&oldid=prev Erlichrd at 20:44, 10 May 2019 2019-05-10T20:44:11Z <p></p> <table class="diff diff-contentalign-left" data-mw="interface"> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="en"> <td colspan="2" style="background-color: #fff; color: #222; text-align: center;">←Older revision</td> <td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revision as of 20:44, 10 May 2019</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l3" >Line 3:</td> <td colspan="2" class="diff-lineno">Line 3:</td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div> A great entertainer's personality and talents are transferred into a mechanical body so they will not be lost with her death. See under Literary Criticism the ''TMG'' essays by A. Gordon and A. H. Jones.[[http://www.clockworks2.org/wiki/index.php?title=Mechanical_God,_The:_Machines_in_Science_Fiction]]</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div> A great entertainer's personality and talents are transferred into a mechanical body so they will not be lost with her death. See under Literary Criticism the ''TMG'' essays by A. Gordon and A. H. Jones.[[http://www.clockworks2.org/wiki/index.php?title=Mechanical_God,_The:_Machines_in_Science_Fiction]]</div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Discussed with great insight in Thomas L. Wymer's “[[Feminism, Technology, and Art in C. L. Moore’s ’No Woman Born]].<del class="diffchange diffchange-inline">’” </del>‘’Extrapolation’’ 47.1 (Spring 2006): 51-65.</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Discussed with great insight in Thomas L. Wymer's “[[Feminism, Technology, and Art in C. L. Moore’s ’No Woman Born<ins class="diffchange diffchange-inline">'</ins>]].<ins class="diffchange diffchange-inline">” </ins>‘’Extrapolation’’ 47.1 (Spring 2006): 51-65.</div></td></tr> </table> Erlichrd https://clockworks2.org/wiki/index.php?title=No_Woman_Born&diff=9444&oldid=prev Erlichrd at 20:43, 10 May 2019 2019-05-10T20:43:34Z <p></p> <table class="diff diff-contentalign-left" data-mw="interface"> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="en"> <td colspan="2" style="background-color: #fff; color: #222; text-align: center;">←Older revision</td> <td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revision as of 20:43, 10 May 2019</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l1" >Line 1:</td> <td colspan="2" class="diff-lineno">Line 1:</td></tr> <tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>'''Moore, C. L. &quot;No Woman Born.&quot;''' ''Astounding'' Dec. 1944. Coll. ''The Best of C. L. Moore.'' Lester del Rey, ed. Garden City, NY: Doubleday, 1975. New York: Ballantine, &quot;A Del Rey Book&quot; (Afterword by CLM), 1976. Rpt. ''Human Machines'' (q.v. under Anthologies). <del class="diffchange diffchange-inline">S</del>''<del class="diffchange diffchange-inline">cience </del>Fiction: The Science Fiction Research Association Anthology''. Patricia S. Warrick et al., eds. New York: Harper, 1988. [[Category: Fiction]]</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>'''Moore, C. L. &quot;No Woman Born.&quot;''' ''Astounding'' Dec. 1944. Coll. ''The Best of C. L. Moore.'' Lester del Rey, ed. Garden City, NY: Doubleday, 1975. New York: Ballantine, &quot;A Del Rey Book&quot; (Afterword by CLM), 1976. Rpt. ''Human Machines'' (q.v. under Anthologies). ''<ins class="diffchange diffchange-inline">Science </ins>Fiction: The Science Fiction Research Association Anthology''. Patricia S. Warrick et al., eds. New York: Harper, 1988. [[Category: Fiction]]</div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div> A great entertainer's personality and talents are transferred into a mechanical body so they will not be lost with her death. See under Literary Criticism the ''TMG'' essays by A. Gordon and A. H. Jones.[[http://www.clockworks2.org/wiki/index.php?title=Mechanical_God,_The:_Machines_in_Science_Fiction]]</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div> A great entertainer's personality and talents are transferred into a mechanical body so they will not be lost with her death. See under Literary Criticism the ''TMG'' essays by A. Gordon and A. H. Jones.[[http://www.clockworks2.org/wiki/index.php?title=Mechanical_God,_The:_Machines_in_Science_Fiction]]</div></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">Discussed with great insight in Thomas L. Wymer's “[[Feminism, Technology, and Art in C. L. Moore’s ’No Woman Born]].’” ‘’Extrapolation’’ 47.1 (Spring 2006): 51-65.</ins></div></td></tr> </table> Erlichrd https://clockworks2.org/wiki/index.php?title=No_Woman_Born&diff=3616&oldid=prev Erlichrd at 05:18, 1 October 2014 2014-10-01T05:18:34Z <p></p> <table class="diff diff-contentalign-left" data-mw="interface"> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="en"> <td colspan="2" style="background-color: #fff; color: #222; text-align: center;">←Older revision</td> <td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revision as of 05:18, 1 October 2014</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l1" >Line 1:</td> <td colspan="2" class="diff-lineno">Line 1:</td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>'''Moore, C. L. &quot;No Woman Born.&quot;''' ''Astounding'' Dec. 1944. Coll. ''The Best of C. L. Moore.'' Lester del Rey, ed. Garden City, NY: Doubleday, 1975. New York: Ballantine, &quot;A Del Rey Book&quot; (Afterword by CLM), 1976. Rpt. ''Human Machines'' (q.v. under Anthologies). S''cience Fiction: The Science Fiction Research Association Anthology''. Patricia S. Warrick et al., eds. New York: Harper, 1988. [[Category: Fiction]]</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>'''Moore, C. L. &quot;No Woman Born.&quot;''' ''Astounding'' Dec. 1944. Coll. ''The Best of C. L. Moore.'' Lester del Rey, ed. Garden City, NY: Doubleday, 1975. New York: Ballantine, &quot;A Del Rey Book&quot; (Afterword by CLM), 1976. Rpt. ''Human Machines'' (q.v. under Anthologies). S''cience Fiction: The Science Fiction Research Association Anthology''. Patricia S. Warrick et al., eds. New York: Harper, 1988. [[Category: Fiction]]</div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div> A great entertainer's personality and talents are transferred into a mechanical body so they will not be lost with her death. See under Literary Criticism the TMG essays by A. Gordon and A. H. Jones.[[http://www.clockworks2.org/wiki/index.php?title=Mechanical_God,_The:_Machines_in_Science_Fiction]]</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div> A great entertainer's personality and talents are transferred into a mechanical body so they will not be lost with her death. See under Literary Criticism the <ins class="diffchange diffchange-inline">''</ins>TMG<ins class="diffchange diffchange-inline">'' </ins>essays by A. Gordon and A. H. Jones.[[http://www.clockworks2.org/wiki/index.php?title=Mechanical_God,_The:_Machines_in_Science_Fiction]]</div></td></tr> </table> Erlichrd https://clockworks2.org/wiki/index.php?title=No_Woman_Born&diff=3615&oldid=prev Erlichrd: Created page with "'''Moore, C. L. "No Woman Born."''' ''Astounding'' Dec. 1944. Coll. ''The Best of C. L. Moore.'' Lester del Rey, ed. Garden City, NY: Doubleday, 1975. New York: Ballantine, "A..." 2014-10-01T05:18:21Z <p>Created page with &quot;&#039;&#039;&#039;Moore, C. L. &quot;No Woman Born.&quot;&#039;&#039;&#039; &#039;&#039;Astounding&#039;&#039; Dec. 1944. Coll. &#039;&#039;The Best of C. L. Moore.&#039;&#039; Lester del Rey, ed. Garden City, NY: Doubleday, 1975. New York: Ballantine, &quot;A...&quot;</p> <p><b>New page</b></p><div>'''Moore, C. L. &quot;No Woman Born.&quot;''' ''Astounding'' Dec. 1944. Coll. ''The Best of C. L. Moore.'' Lester del Rey, ed. Garden City, NY: Doubleday, 1975. New York: Ballantine, &quot;A Del Rey Book&quot; (Afterword by CLM), 1976. Rpt. ''Human Machines'' (q.v. under Anthologies). S''cience Fiction: The Science Fiction Research Association Anthology''. Patricia S. Warrick et al., eds. New York: Harper, 1988. [[Category: Fiction]]<br /> <br /> A great entertainer's personality and talents are transferred into a mechanical body so they will not be lost with her death. See under Literary Criticism the TMG essays by A. Gordon and A. H. Jones.[[http://www.clockworks2.org/wiki/index.php?title=Mechanical_God,_The:_Machines_in_Science_Fiction]]</div> Erlichrd