Difference between revisions of "No Woman Born"

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(Created page with "'''Moore, C. L. "No Woman Born."''' ''Astounding'' Dec. 1944. Coll. ''The Best of C. L. Moore.'' Lester del Rey, ed. Garden City, NY: Doubleday, 1975. New York: Ballantine, "A...")
 
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'''Moore, C. L. "No Woman Born."''' ''Astounding'' Dec. 1944. Coll. ''The Best of C. L. Moore.'' Lester del Rey, ed. Garden City, NY: Doubleday, 1975. New York: Ballantine, "A Del Rey Book" (Afterword by CLM), 1976. Rpt. ''Human Machines'' (q.v. under Anthologies). S''cience Fiction: The Science Fiction Research Association Anthology''. Patricia S. Warrick et al., eds. New York: Harper, 1988. [[Category: Fiction]]
 
'''Moore, C. L. "No Woman Born."''' ''Astounding'' Dec. 1944. Coll. ''The Best of C. L. Moore.'' Lester del Rey, ed. Garden City, NY: Doubleday, 1975. New York: Ballantine, "A Del Rey Book" (Afterword by CLM), 1976. Rpt. ''Human Machines'' (q.v. under Anthologies). S''cience Fiction: The Science Fiction Research Association Anthology''. Patricia S. Warrick et al., eds. New York: Harper, 1988. [[Category: Fiction]]
  
A great entertainer's personality and talents are transferred into a mechanical body so they will not be lost with her death. See under Literary Criticism the TMG essays by A. Gordon and A. H. Jones.[[http://www.clockworks2.org/wiki/index.php?title=Mechanical_God,_The:_Machines_in_Science_Fiction]]
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A great entertainer's personality and talents are transferred into a mechanical body so they will not be lost with her death. See under Literary Criticism the ''TMG'' essays by A. Gordon and A. H. Jones.[[http://www.clockworks2.org/wiki/index.php?title=Mechanical_God,_The:_Machines_in_Science_Fiction]]

Revision as of 01:18, 1 October 2014

Moore, C. L. "No Woman Born." Astounding Dec. 1944. Coll. The Best of C. L. Moore. Lester del Rey, ed. Garden City, NY: Doubleday, 1975. New York: Ballantine, "A Del Rey Book" (Afterword by CLM), 1976. Rpt. Human Machines (q.v. under Anthologies). Science Fiction: The Science Fiction Research Association Anthology. Patricia S. Warrick et al., eds. New York: Harper, 1988.

A great entertainer's personality and talents are transferred into a mechanical body so they will not be lost with her death. See under Literary Criticism the TMG essays by A. Gordon and A. H. Jones.[[1]]