Difference between revisions of "Limbo"
From Clockworks2
Jump to navigationJump to search (Created page with "'''Wolfe, Bernard. ''Limbo'' (vt ''Limbo '90'').''' New York: Random, 1952; New York: Ace, 1952. Category: Fiction See for the mechanization of people through prostheti...") |
|||
| Line 1: | Line 1: | ||
'''Wolfe, Bernard. ''Limbo'' (vt ''Limbo '90'').''' New York: Random, 1952; New York: Ace, 1952. [[Category: Fiction]] | '''Wolfe, Bernard. ''Limbo'' (vt ''Limbo '90'').''' New York: Random, 1952; New York: Ace, 1952. [[Category: Fiction]] | ||
| − | See for the mechanization of people through prosthetics, the computer/military complex, and (if Warrick is correct) the necessity for laughter and ironic flexibility against various kinds of rigidities. Discussed by Warrick 149-50[[http://www.clockworks2.org/wiki/index.php?title=Warrick,_Patricia_S._The_Cybernetic_Imagination_in_Science_Fiction]] and by G. K. Wolfe in his "Instrumentalities of the Body" essay in ''TMG''; see also the article by D. Samuelson—all listed under Literary Criticism.[[http://www.clockworks2.org/wiki/index.php?title=Mechanical_God,_The:_Machines_in_Science_Fiction]] | + | See for the mechanization of people through prosthetics, the computer/military complex, and (if Warrick is correct) the necessity for laughter and ironic flexibility against various kinds of rigidities. Discussed by [[Warrick, Patricia S. The Cybernetic Imagination in Science Fiction|Warrick]] 149-50[[http://www.clockworks2.org/wiki/index.php?title=Warrick,_Patricia_S._The_Cybernetic_Imagination_in_Science_Fiction]] and by G. K. Wolfe in his "Instrumentalities of the Body" essay in ''TMG''; see also the article by D. Samuelson—all listed under Literary Criticism.[[http://www.clockworks2.org/wiki/index.php?title=Mechanical_God,_The:_Machines_in_Science_Fiction]] |
Revision as of 20:22, 15 August 2019
Wolfe, Bernard. Limbo (vt Limbo '90). New York: Random, 1952; New York: Ace, 1952.
See for the mechanization of people through prosthetics, the computer/military complex, and (if Warrick is correct) the necessity for laughter and ironic flexibility against various kinds of rigidities. Discussed by Warrick 149-50[[1]] and by G. K. Wolfe in his "Instrumentalities of the Body" essay in TMG; see also the article by D. Samuelson—all listed under Literary Criticism.[[2]]
