Kikai to geijutsu to no kôryû” (“The Exchange Between Machines and Art")

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Itagaki Takaho. “Kikai to geijutsu to no kôryû” (“The Exchange Between Machines and Art,” 1930). Kikai no metoroporisu. (The Metropolis of Machines). Ed. Unno Hiroshi. Tokyo: Heibonsh­a, 1990.[1]

Cited in Miri Nakamura, "Horror and Machines in Prewar Japan: The Mechanical Uncanny in YUMENO Kyûsaju's Dogura magura." See for background on machines and mechanization in Japanese art into the 20th century.


RDE, completing, 30May19