https://clockworks2.org/wiki/index.php?title=Forms_of_Technological_Embodiment:_Reading_the_Body_in_Contemporary_Culture&feed=atom&action=history Forms of Technological Embodiment: Reading the Body in Contemporary Culture - Revision history 2024-03-29T13:34:43Z Revision history for this page on the wiki MediaWiki 1.32.1 https://clockworks2.org/wiki/index.php?title=Forms_of_Technological_Embodiment:_Reading_the_Body_in_Contemporary_Culture&diff=9737&oldid=prev Erlichrd at 04:59, 29 May 2019 2019-05-29T04:59:41Z <p></p> <table class="diff diff-contentalign-left" data-mw="interface"> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="en"> <td colspan="2" style="background-color: #fff; color: #222; text-align: center;">←Older revision</td> <td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revision as of 04:59, 29 May 2019</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l3" >Line 3:</td> <td colspan="2" class="diff-lineno">Line 3:</td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>From Judy, &quot;'Anne Balsamo’s “Forms of Technological Embodiment,'&quot; 27 June 2013.[https://thesimulationspace.wordpress.com/2013/06/27/anne-balsamos-forms-of-technological-embodiment/]</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>From Judy <ins class="diffchange diffchange-inline">(sic: no last name)</ins>, &quot;'Anne Balsamo’s “Forms of Technological Embodiment,'&quot; 27 June 2013.[https://thesimulationspace.wordpress.com/2013/06/27/anne-balsamos-forms-of-technological-embodiment/]</div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>  The ‘cyborg’ – the technological-human – has become a familiar figuration of the subject of postmodernity […] this merger relies on a reconceptualization of the human body as a boundary figure belonging simultaneously to at least two previously incompatible systems of meaning – ‘the organic/natural’ and the ‘technological/cultural’  (215).</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>  <ins class="diffchange diffchange-inline">''</ins>The ‘cyborg’ – the technological-human – has become a familiar figuration of the subject of postmodernity […] this merger relies on a reconceptualization of the human body as a boundary figure belonging simultaneously to at least two previously incompatible systems of meaning – ‘the organic/natural’ and the ‘technological/cultural’<ins class="diffchange diffchange-inline">'' </ins> (215) .</div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>  Balsamo argues that the body and technology are joined in a literal sense, where machines assume organic functions and the body is materially redesigned through the use of corporeality. The “natural” body has been refashioned since the 1980s, where the idea of the merging of the biological with the technological became prevalent in Western thought.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>  Balsamo argues that the body and technology are joined in a literal sense, where machines assume organic functions and the body is materially redesigned through the use of corporeality. The “natural” body has been refashioned since the 1980s, where the idea of the merging of the biological with the technological became prevalent in Western thought.</div></td></tr> </table> Erlichrd https://clockworks2.org/wiki/index.php?title=Forms_of_Technological_Embodiment:_Reading_the_Body_in_Contemporary_Culture&diff=9736&oldid=prev Erlichrd at 04:58, 29 May 2019 2019-05-29T04:58:17Z <p></p> <table class="diff diff-contentalign-left" data-mw="interface"> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="en"> <td colspan="2" style="background-color: #fff; color: #222; text-align: center;">←Older revision</td> <td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revision as of 04:58, 29 May 2019</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l6" >Line 6:</td> <td colspan="2" class="diff-lineno">Line 6:</td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>  The ‘cyborg’ – the technological-human – has become a familiar figuration of the subject of postmodernity […] this merger relies on a reconceptualization of the human body as a boundary figure belonging simultaneously to at least two previously incompatible systems of meaning – ‘the organic/natural’ and the ‘technological/cultural’  (215).</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>  The ‘cyborg’ – the technological-human – has become a familiar figuration of the subject of postmodernity […] this merger relies on a reconceptualization of the human body as a boundary figure belonging simultaneously to at least two previously incompatible systems of meaning – ‘the organic/natural’ and the ‘technological/cultural’  (215).</div></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>  Balsamo argues that the body and technology are joined in a literal sense, where machines assume organic functions and the body is materially redesigned through the use of corporeality. The “natural” body has been refashioned since the 1980s, where the idea of the merging of the biological with the technological became prevalent in Western thought.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>  Balsamo argues that the body and technology are joined in a literal sense, where machines assume organic functions and the body is materially redesigned through the use of corporeality. The “natural” body has been refashioned since the 1980s, where the idea of the merging of the biological with the technological became prevalent in Western thought.</div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> </table> Erlichrd https://clockworks2.org/wiki/index.php?title=Forms_of_Technological_Embodiment:_Reading_the_Body_in_Contemporary_Culture&diff=9735&oldid=prev Erlichrd at 04:57, 29 May 2019 2019-05-29T04:57:57Z <p></p> <table class="diff diff-contentalign-left" data-mw="interface"> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="en"> <td colspan="2" style="background-color: #fff; color: #222; text-align: center;">←Older revision</td> <td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revision as of 04:57, 29 May 2019</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l1" >Line 1:</td> <td colspan="2" class="diff-lineno">Line 1:</td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>'''Balsamo, Anne. &quot;Forms of Technological Embodiment: Reading the Body in Contemporary Culture.&quot;''' In ''[[Cyberspace/Cyberbodies/Cyberpunk: Cultures of Technological Development]]''. Roger Burrows and Mike Featherstone, eds. London: SAGE, 1995. Online Publication Date: 31 May 31.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>'''Balsamo, Anne. &quot;Forms of Technological Embodiment: Reading the Body in Contemporary Culture.&quot;''' In ''[[Cyberspace/Cyberbodies/Cyberpunk: Cultures of Technological Development]]''. Roger Burrows and Mike Featherstone, eds. London: SAGE, 1995. Online Publication Date: 31 May 31.</div></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>From Judy, &quot;'Anne Balsamo’s “Forms of Technological Embodiment,'&quot; 27 June 2013.[https://thesimulationspace.wordpress.com/2013/06/27/anne-balsamos-forms-of-technological-embodiment/]</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>From Judy, &quot;'Anne Balsamo’s “Forms of Technological Embodiment,'&quot; 27 June 2013.[https://thesimulationspace.wordpress.com/2013/06/27/anne-balsamos-forms-of-technological-embodiment/]</div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>  The ‘cyborg’ – the technological-human – has become a familiar figuration of the subject of postmodernity […] this merger relies on a reconceptualization of the human body as a boundary figure belonging simultaneously to at least two previously incompatible systems of meaning – ‘the organic/natural’ and the ‘technological/cultural’  (215).</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>  The ‘cyborg’ – the technological-human – has become a familiar figuration of the subject of postmodernity […] this merger relies on a reconceptualization of the human body as a boundary figure belonging simultaneously to at least two previously incompatible systems of meaning – ‘the organic/natural’ and the ‘technological/cultural’  (215).</div></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"> Balsamo argues that the body and technology are joined in a literal sense, where machines assume organic functions and the body is materially redesigned through the use of corporeality. The “natural” body has been refashioned since the 1980s, where the idea of the merging of the biological with the technological became prevalent in Western thought.</ins></div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;"> Balsamo argues that the body and technology are joined in a literal sense, where machines assume organic functions and the body is materially redesigned through the use of corporeality. The “natural” body has been refashioned since the 1980s, where the idea of the merging of the biological with the technological became prevalent in Western thought.</del></div></td><td colspan="2"> </td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>See for work, labor, and labor in terms of &quot;the maternal body&quot; (quoting Judy).</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>See for work, labor, and labor in terms of &quot;the maternal body&quot; (quoting Judy).</div></td></tr> </table> Erlichrd https://clockworks2.org/wiki/index.php?title=Forms_of_Technological_Embodiment:_Reading_the_Body_in_Contemporary_Culture&diff=9734&oldid=prev Erlichrd at 04:57, 29 May 2019 2019-05-29T04:57:28Z <p></p> <table class="diff diff-contentalign-left" data-mw="interface"> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="en"> <td colspan="2" style="background-color: #fff; color: #222; text-align: center;">←Older revision</td> <td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revision as of 04:57, 29 May 2019</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l1" >Line 1:</td> <td colspan="2" class="diff-lineno">Line 1:</td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>'''Balsamo, Anne. &quot;Forms of Technological Embodiment: Reading the Body in Contemporary Culture.&quot;''' In ''[[Cyberspace/Cyberbodies/Cyberpunk: Cultures of Technological Development]]''. Roger Burrows and Mike Featherstone, eds. London: SAGE, 1995. Online Publication Date: 31 May 31.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>'''Balsamo, Anne. &quot;Forms of Technological Embodiment: Reading the Body in Contemporary Culture.&quot;''' In ''[[Cyberspace/Cyberbodies/Cyberpunk: Cultures of Technological Development]]''. Roger Burrows and Mike Featherstone, eds. London: SAGE, 1995. Online Publication Date: 31 May 31.</div></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">From Judy, &quot;'Anne Balsamo’s “Forms of Technological Embodiment,'&quot; 27 June 2013.[https://thesimulationspace.wordpress.com/2013/06/27/anne-balsamos-forms-of-technological-embodiment/]</ins></div></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"> The ‘cyborg’ – the technological-human – has become a familiar figuration of the subject of postmodernity […] this merger relies on a reconceptualization of the human body as a boundary figure belonging simultaneously to at least two previously incompatible systems of meaning – ‘the organic/natural’ and the ‘technological/cultural’  (215).</ins></div></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"> Balsamo argues that the body and technology are joined in a literal sense, where machines assume organic functions and the body is materially redesigned through the use of corporeality. The “natural” body has been refashioned since the 1980s, where the idea of the merging of the biological with the technological became prevalent in Western thought.</ins></div></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">See for work, labor, and labor in terms of &quot;the maternal body&quot; (quoting Judy).</ins></div></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">RDE, completing, 28May19</ins></div></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">[[Category: Background]]</ins></div></td></tr> </table> Erlichrd https://clockworks2.org/wiki/index.php?title=Forms_of_Technological_Embodiment:_Reading_the_Body_in_Contemporary_Culture&diff=9733&oldid=prev Erlichrd: Created page with "'''Balsamo, Anne. "Forms of Technological Embodiment: Reading the Body in Contemporary Culture."''' In ''Cyberspace/Cyberbodies/Cyberpunk: Cultures of Technological Developm..." 2019-05-29T04:49:55Z <p>Created page with &quot;&#039;&#039;&#039;Balsamo, Anne. &quot;Forms of Technological Embodiment: Reading the Body in Contemporary Culture.&quot;&#039;&#039;&#039; In &#039;&#039;Cyberspace/Cyberbodies/Cyberpunk: Cultures of Technological Developm...&quot;</p> <p><b>New page</b></p><div>'''Balsamo, Anne. &quot;Forms of Technological Embodiment: Reading the Body in Contemporary Culture.&quot;''' In ''[[Cyberspace/Cyberbodies/Cyberpunk: Cultures of Technological Development]]''. Roger Burrows and Mike Featherstone, eds. London: SAGE, 1995. Online Publication Date: 31 May 31.</div> Erlichrd