Difference between revisions of "AD ASTRA"

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(Created page with "'''AD ASTRA. James Gray, director, co-script''' with Ethan Gross, producer (along with seven others, including Brad Pitt). Kevin Thompson, production design. Brad Pitt, Tommy...")
 
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'''AD ASTRA. James Gray, director, co-script''' with Ethan Gross, producer (along with seven others, including Brad Pitt). Kevin Thompson, production design. Brad Pitt, Tommy Lee Jones, Ruth Negga, featured players. Twentieth-Century Fox, one production company and US distribution, 2019. See IMDb for highly complex production and distribution.[https://www.imdb.com/title/tt2935510/companycredits?ref_=tt_dt_co]  
 
'''AD ASTRA. James Gray, director, co-script''' with Ethan Gross, producer (along with seven others, including Brad Pitt). Kevin Thompson, production design. Brad Pitt, Tommy Lee Jones, Ruth Negga, featured players. Twentieth-Century Fox, one production company and US distribution, 2019. See IMDb for highly complex production and distribution.[https://www.imdb.com/title/tt2935510/companycredits?ref_=tt_dt_co]  
  
Quest for the Father story, with some degree of the Atonement part and other key elements of the Quest/Odyssey ("Monomyth") pattern.[https://en.wikipedia.org/wiki/Hero%27s_journey] Relevant here for containment within space craft and underground or otherwise-protected installations on Earth's Moon and Mars. There is one scene of a deadly Moon-buggy chase for a different sort of military vehicle and take on future warfare, or piracy, and a fair number of the traditional hexagons (a visual trope in SF films and video).[https://www.clockworks2.org/wiki/index.php?title=Special%3ASearch&search=hexagons&go=Go]
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Quest for the Father story, with some degree of the Atonement part and other key elements of the Quest/Odyssey ("Monomyth") pattern.[https://en.wikipedia.org/wiki/Hero%27s_journey] Relevant here for containment within spacecraft and underground or otherwise-protected installations on Earth's Moon and Mars. There is also one sequence of a deadly Moon-buggy chase for a different sort of military vehicle and take on future warfare, or piracy, and a fair number of the traditional hexagons (a visual trope in SF films and video).[https://www.clockworks2.org/wiki/index.php?title=Special%3ASearch&search=hexagons&go=Go]
  
In his periodic reminder to audiences and film-makers that he's not just a pretty face and celebrity, Pitt delivers a master-class on close-in acting (cf. and contrast [[MAROONED]]).
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In the line of his periodic reminders that he's not just a pretty face and celebrity, Pitt delivers a master-class on close-in acting (cf. and contrast [[MAROONED]]). The effect is like that pointed out by film critics and historians on how low-key ("flat") b/w SF films of the long 1950s in a sense trained their audiences to watch for small actions and deviations from what we think of as normal or normal within the world of a specific film or with a character. Impressive scenes with Pitt have him under surveillance and his psychology judged, putting together inevitable containment within layers of human-made artifacts for protection from vacuum and other space dangers with intrusions — however gentle as these things go — into his mind.
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RDE, Initial Compiler, 24Sep19
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[[Category: Drama]]

Revision as of 18:52, 24 September 2019

AD ASTRA. James Gray, director, co-script with Ethan Gross, producer (along with seven others, including Brad Pitt). Kevin Thompson, production design. Brad Pitt, Tommy Lee Jones, Ruth Negga, featured players. Twentieth-Century Fox, one production company and US distribution, 2019. See IMDb for highly complex production and distribution.[1]

Quest for the Father story, with some degree of the Atonement part and other key elements of the Quest/Odyssey ("Monomyth") pattern.[2] Relevant here for containment within spacecraft and underground or otherwise-protected installations on Earth's Moon and Mars. There is also one sequence of a deadly Moon-buggy chase for a different sort of military vehicle and take on future warfare, or piracy, and a fair number of the traditional hexagons (a visual trope in SF films and video).[3]

In the line of his periodic reminders that he's not just a pretty face and celebrity, Pitt delivers a master-class on close-in acting (cf. and contrast MAROONED). The effect is like that pointed out by film critics and historians on how low-key ("flat") b/w SF films of the long 1950s in a sense trained their audiences to watch for small actions and deviations from what we think of as normal or normal within the world of a specific film or with a character. Impressive scenes with Pitt have him under surveillance and his psychology judged, putting together inevitable containment within layers of human-made artifacts for protection from vacuum and other space dangers with intrusions — however gentle as these things go — into his mind.


RDE, Initial Compiler, 24Sep19