Difference between revisions of "GHOST IN THE SHELL 2: INNOCENCE"

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'''GHOST IN THE SHELL 2: INNOCENCE.  Mamoru Oshii, director, script,''' from the "comic "Koukaku-Kidoutai" by Shirow Masamune, writing as Masamune Shirow.[http://www.imdb.com/name/nm0794385/?ref_=ttfc_fc_wr1] English version writers Richard Epcar, and Mary Claypool (English ADR Writer).[http://www.imdb.com/title/tt0347246/fullcredits?ref_=tt_ov_wr#writers] Japan: Bandai Visual Company et al. (production) / Toho Company (Japan theatrical release) / Bandai Entertainment et al. (US DVD and Blu-ray), 2004. See IMDb for complex production and distribution.[http://www.imdb.com/title/tt0347246/companycredits?ref_=tt_dt_co].
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'''GHOST IN THE SHELL 2: INNOCENCE.  Mamoru Oshii, director, script,''' from the "comic ''Koukaku-Kidoutai''" by Shirow Masamune, writing as Masamune Shirow.[http://www.imdb.com/name/nm0794385/?ref_=ttfc_fc_wr1] English version writers Richard Epcar, and Mary Claypool (English ADR Writer).[http://www.imdb.com/title/tt0347246/fullcredits?ref_=tt_ov_wr#writers] Japan: Bandai Visual Company et al. (production) / Toho Company (Japan theatrical release) / Bandai Entertainment et al. (US DVD and Blu-ray), 2004. See IMDb for complex production and distribution.[http://www.imdb.com/title/tt0347246/companycredits?ref_=tt_dt_co].
  
  

Revision as of 01:02, 24 July 2017

WORKING DRAFT


GHOST IN THE SHELL 2: INNOCENCE. Mamoru Oshii, director, script, from the "comic Koukaku-Kidoutai" by Shirow Masamune, writing as Masamune Shirow.[1] English version writers Richard Epcar, and Mary Claypool (English ADR Writer).[2] Japan: Bandai Visual Company et al. (production) / Toho Company (Japan theatrical release) / Bandai Entertainment et al. (US DVD and Blu-ray), 2004. See IMDb for complex production and distribution.[3].


Anime sequel to GHOST IN THE SHELL (animation, 1996). From Storyline by Anonymous on IMDb, edited by Erlich: "Batô is a living cyborg. His whole body […is] entirely man-made. What […] remains are traces of his brain and the memories of a woman. In an era when the boundary between humans and machines has become infinitely vague, humans have forgotten that they are humans. This is the [… story] of the lonesome ghost of a man, who nevertheless seeks to retain humanity."[4] Discussed in some detail by Allison de Fren in her essay "Technofetishism and the Uncanny Desires of A.S.F.R." and in the Wikipedia entry for the film.[5]


RDE, Initial Compiler 1July17